La parole et le feu, Anthologie po\u00e9tique<\/strong><\/a><\/em>, \u00c9ditions Acoria, 2017<\/p>\n\n\n\n Fragments d\u2019errances<\/em><\/a><\/strong>, \u00c9ditions Acoria, 2015<\/p>\n\n\n\n L<\/a>e cr\u00e9puscule des m\u00e9tamorphoses<\/a><\/strong><\/em>, \u00c9ditions Acoria, 2014<\/p>\n\n\n\n Par temps de doute et d\u2019immobile silence<\/a><\/em><\/strong>, \u00c9ditions Acoria, 2013 Une si longue attente<\/em><\/strong><\/a>, \u00c9ditions Acoria, 2010<\/p>\n\n\n\n Po\u00e8mes \u00e0 l\u2019Absente<\/em><\/strong><\/a>, \u00c9ditions Acoria, 2010<\/p>\n\n\n\n Requiem pour un pays assassin\u00e9<\/a><\/em><\/strong>, \u00c9ditions L\u2019Harmattan, 1999 Comme un signe dans la nuit<\/strong><\/em><\/a>, \u00c9ditions L\u2019Harmattan, 1986<\/p>\n\n\n\n Les sentiers de libert\u00e9<\/strong><\/em><\/a>, \u00c9ditions Saint-Germain-des-Pr\u00e9s, 1986<\/p>\n\n\n\n Nostalgie des jours qui passent<\/em><\/strong><\/a>, Silex \u00c9ditions, 1981<\/p>\n\n\n\n Le chant des cannes \u00e0 sucre<\/a><\/strong><\/em>, \u00c9ditions L\u2019Harmattan, 2019<\/p>\n\n\n\n L\u2019adieu au p\u00e8re<\/em><\/strong><\/a>, \u00c9ditions L\u2019Harmattan, 1999<\/p>\n\n\n\n Mangalor<\/em><\/strong><\/a>, \u00c9ditions Seghers, 1989<\/p>\n\n\n\n Une femme dans la lumi\u00e8re de l\u2019aube<\/em><\/strong><\/a>, \u00c9ditions Seghers, 1988\n
En tiempos de duda y de inm\u00f3vil silencio<\/a><\/em><\/strong>, \u00c9ditions Valparaiso, 2019<\/p>\n\n\n\n
Requiem for a murdered country<\/a> <\/em><\/strong>(version bilingue Fran\u00e7ais\/Anglais), \u00c9ditions L\u2019Harmattan, 2008
Requiem para un pais asesinado <\/em><\/strong><\/a>(version espagnole), Editorial Leviat\u00e1n \u2013 Buenos Aires (Argentina), 2018<\/p>\n\n\n\n\n
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ROMANS<\/h1>\n\n\n\n
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Mulher na luz da aurora<\/em><\/strong><\/a> (version br\u00e9silienne), Editora Movimento, Porto Alegre, Brasil, 2003<\/p>\n\n\n\nESSAIS<\/h1>\n\n\n\n